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Giorgio De Vincenzi (1884 – 1965), was an Italian painter and etcher. He was a versatile artist, using diverse techniques and specialised in landscapes and portraiture.〔Cf. (''Atmosfere ferraresi'' ). Accessed 16 November 2012〕 ==Short biography and analysis== Born in Ferrara in December 1884, De Vincenzi did not follow a normal course of academic studies, but for a period attended the studio of the Italian painter Nicola Laurenti, where he also befriended Jewish artist Roberto Melli and painter-poet Filippo De Pisis.〔AA. VV., ''Giorgio De Vincenzi'', Comune di Bologna: "Assessorato alla Cultura" (June 1974), pp. 2-6. Melli later had to interrupt his artistic activities during Fascism, due to the Italian racial laws; he resumed his career after the war.〕 His artistic production is well known nationally and is mostly dedicated to landscapes and female portraits. However, in his first artistic phase, De Vincenzi liked to paint his hometown's gardens and medieval walls, ideally anticipating the setting of Giorgio Bassani's books about Ferrara and its people suffering from racist persecution — later to become famous in movies such as ''The Garden of the Finzi-Continis'' by Vittorio de Sica.〔Cf. (''Atmosfere ferraresi, cit.'' ) Accessed 16 November 2012〕 Around 1928-1929 De Vincenzi moved to Bologna, where he died in 1965, after a lifetime of painting outside the contemporary parametres of the first half of the 20th century — in fact, De Vincenzi was not influenced by the various and changing currents of the period, but affirmed his own pictorial personality and experimented with new techniques.〔〔Cf. monograph ''Giorgio De Vincenzi, 1884-1965'', publ. by Comune di Bologna, Culture & Art, June 1974. His paintings were often exhibited together with Bolognese artist Guglielmo Pizzirani at Palazzo d'Accursio.〕 His landscapes were well received by Italian art critics, and praised for their chromatic contrasts and poetic tones. His style was at times compared to Van Gogh's and Utrillo's, but with a specifically idiosyncratic trait.〔Cf. Bologna art critic (Antonio Meluschi ) and his article on ''Giorgio De Vincenzi, 1884-1965'', Comune di Bologna, June 1974; journalist and critic Roberto Vitali, on the newspaper ''l'Unità'', 14 June 1974, p. 11 - on occasion of De Vincenzi's posthumous ''personale'' at the Art Gallery of Palazzo Galvani, Bologna: 7–23 June 1974.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Giorgio De Vincenzi」の詳細全文を読む スポンサード リンク
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